Posts

hollywood-portraits: Matthew Broderick photographed by Bonnie Schiffman, 1986.

ghostfacekahlua: 8th Wonder.

lifeonmars70s: Marty Feldman

magneticsouth1966: The Pretenders, 1980

miss-vanilla: Debbie Harry, 1982.

sharontates: Jayne Mansfield on the set of The Girl Can’t Help It (1956)

xxhorace: Linda Carter

flyandfamousblackgirls: Lenny Kravitz & Lisa Bonet photographed by Janette Beckman

vintagesalt: Robert Downey Jr and Sarah Jessica Parker || 1985

historium: Humphrey Bogart, ca 1948

videoreligion: Near Dark (1987)

ronaldcmerchant: Fester!

dmvm1977: Sigourney Weaver (Alien 1979)

fycarriefisher: Carrie Fisher on the set of the Rebel Base of Hoth, filming The Empire Strikes Back (1979).

laymyladylay: It’s electrifying

80stimewarp: Lea Thompson, ‘Back to the Future’ (1985)

dmvm1977: Keanu Reeves - 1984

aokayalright: Harold Ramis + Annie Potts in Ghostbusters (1984)

cynema: Carrie (1976) dir. Brian De Palma

miss-vanilla: Leonardo DiCaprio and Kate Winslet on set of Titanic (1997)

petersonreviews: Kurt Russell and Goldie Hawn, 1990

miss-vanilla: Debbie Harry, 70’s.

petersonreviews: Quentin Tarantino in Reservoir Dogs, 1992

petersonreviews: Isabella Rossellini, 1982 Photo by Norman Parkinson

twixnmix: American boxer Muhammad Ali (then known as Cassius Clay) shares a laugh with members of the Congregation of the Sisters of Charity of Nazareth in the library of Nazareth College (alter renamed Spalding University), Louisville, Kentucky, 1963. Ali had worked in the library as a child and some of his early training was in the school’s gym. (Photos by James Drake/The LIFE Images Collection)

soundsof71: Marvin Gaye: Inner City’s Musical Poet, Jet February 1, 1973

lovesthe1980s: The NeverEnding Story

manyfetes: “I love you forever.” - Al Pacino to Diane Keaton, 2017 AFI Awards

kennethbrangh: Jack Nicholson in Reds (1981)

becketts: Carrie Fisher and Mark Hamill, 1977

doraemonmon: Kojak - Telly Savalas

mabellonghetti: Laura Dern and Kyle Maclachlan, 1980s

twixnmix: Joan Crawford photographed by George Hurrell, 1932.